|Copertina Paris City Graffiti
Alcune frasi prese direttamente dal libro:
|Alcune pagine tratte dal capitolo Old School.
In the United States of America at the end of the 60's, Graffiti appeared under a new form. Names of undividuals or related to a gang, group or crew could be seen on the walls of all major cities, writtin with spray cans and fat markers. A simple signature emerged: the "tag" was born! Then, the letters got bigger with more colors and style, it was the beginning of graffiti "pieces".
1982 Paris was still under the influence of Punk-Rock, and those who had not been lucky enough to read the newspaper's article entitled " American Graffiti : art " written by Pascaline Cuvelier and published in october 1981, discovered the phenomenon notably thanks to the European tour organized by the French radio station Europe 1 : New-York City Rap. It rapresented every hip-hop art form: rap music, break dancing, and DJing with AFRIKA BAMBAATAA (founder of the ZULU NATION) and the ROCK STEADY CREW- Graffiti art was itself rapresented by a name who marked our minds and the future:it was FUTURA 2000. 1983 Back then, only thirty names imposed their colorful letters and decorations on the walls with more or less skills: SPEEDY (DEE NASTY), MASTER BOO, BLITZ, SPIRIT, ASPHALT, COOL J (JAY), SAHO (ASH2), SKKI (DOE), SCAM, PHIL1, SHAKER, KAMEL, KAYA, SCIPION,FROG, CHINO, KATHE67 (JOEY STARR), SKEY (SHEN), CASE (COLT), ACRO (SOY), JAID, SAN, SPRAY, BOBO, FRED, RISK, MEGATON... However, one name found itself on top, he war a kid from the wealthy neighborhoods of Paris who called himself BANDO.
1986 A whole year elapsed and the famous vacant lot of Stalingrad gained more importance than ever with the opening of the first hip-hop store in France and Europe:Ticaret, just a block away from it. Graffiti spread as wild fire, just like hip-hop... Paris became the second capital city of this culture, the Stalingrad stop became a place of worship, a real pilgrimage... The place gave birth to the first Block Party wich were organized by one of the pioneers of French hip-hop DJs, DJ DEE NASTY. Dancing, rapping, DJing and Graffiti artists from all around the world gathered in this extraordinary place.
1987 Queen Candy, the Zulu Nation queen of Paris, launched the first French fanzine of Hip-hop movement entitled TZL (The Zulu Letters).
When you write your name on paper you only move the hand, it is close to writing. A lil bombing needs the arm. For big fat caps tags of seven feet long, you also use your legs, it is like dancing or kickboxing: you have to calculate the distance and keep the balance for it not be noticed in your calligraphy. KOOCE
To me Graffiti is more than the writing, the vandal, the street art, contemporary art or whatever definition we try to give to dat shit. It is primarily a fucking treat!
Graffiti is like life, the more you grow the better you get... For my part, I have always painted or written for the gesture or to explore new styles, not necessarily for fame, cash or star system... I leave that to fools and bitches of all kinds. I do not know a lot of purists but the ones I have met taught me humility and above all how to know my culture better... Keep it real... BRONE
It gave me a lot of communication, knowledge, travel and a lot fun, I like adding colors to this world where everything is grey. KOMO
The one who creates the energies possesses the flow of life... In between chaos and harmony, deep in my mind between madness and genius I explore the book of letters' magic, constantly recreating endlessly. DIKSA
|Altre pagine tratte direttamente dal libro.